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14-day money back guarantee included if product is not activated
You can purchase from Gear4music with complete confidence and peace of mind. All of our digital products come with a 14-day money-back guarantee as standard.
If you decide you don't want your order, you can return it within 14 days of receiving it. Provided your product hasn't been activated in that time, you can exchange it for a different product, or get a refund.
We will only issue a new product or refund if the supplier confirms that your product has not been activated. At the same time, we will ask them to invalidate it so that it cannot be used in the future.
This does not affect your statutory rights.
For more information, please refer to our Returns and Refunds Information.
If you decide your order isn't suitable for any reason you can return it - just let us know within 60 days of receiving it. Please keep hold of all the original packaging until you're sure you want to keep the order.
Eligibility for Money Back Guarantee
Important: For hygiene and software licensing reasons, some items are only eligible for our Money Back Guarantee if they are returned to us unused and sealed in the original packaging with all software still "unregistered." Details of exclusions are shown within the product descriptions. Products include:
- Monitors and Headphones
- Earplugs and Ear Protection
- Reeds and mouthpieces for woodwind and brass instruments
- Mouth and Lip-Care Products
- CDs, DVDs and Software
We can collect your return for a small fee, or you can send it back to us yourself. The collection fee can be found in the returns information on each product's page on Gear4music.
In the unlikely event that any item in this order is faulty, damaged or incorrect on receipt, notify us within 14 days and we'll arrange a free collection.
When returning an order please ensure products are appropriately packaged and protected, to prevent them from getting damaged.
This table provides an overview of your statutory consumer rights, compared with our standard returns policy and optional extended money back guarantee and warranty.
| UK & Europe | EU Standard | Gear4music Standard | Gear4music Optional |
|---|---|---|---|
| Return Period | 14 days | 60 days | up to 180 days |
| Standard delivery charges refunded? | Yes | Yes | Yes, up to 30 days |
| Upgraded delivery charges refunded? | Standard costs only | Standard costs only | Standard costs only |
| Free collection on cancellation | No | No | Yes, up to 30 days |
| Free collection if defective, delivered damaged or incorrect item | Yes, within 14 days | Yes, within 14 days | Yes, within 30 days |
We are unable to accept returns of any custom made items designed to work together as a unique package and some items are only eligible for money back guarantee if they are returned to us unused and sealed in the original packaging. For full information on our returns policy, please refer to our returns and refunds information guide.
Key Features
Rob Papen B.I.T is an authentic emulation of vintage hardware synthesizers, distilled into an intuitive and flexible plug-in for your DAW. A first in the Rob Papen range, B.I.T aims its focus on classic analog sounds, successfully delivering the classic instability, unpredictability and warmth that's so common on classic instruments. Through two flexible and powerful oscillators, two multi-mode resonant filters, onboard LFOs and envelopes, B.I.T takes advantage of all that the digital realm has to offer and combines them together with comprehensive modulation, 16-step sequencer and stunning digital effects for a virtual analog sound like no other.
A must-have for all fans of vintage analog sounds, the B.I.T brings unmatched warmth, depth and character to your productions, helping to bridge the gap between contemporary workflow and classic sounds.
Product Ref: 220646
At the heart of B.I.T is the dual oscillator section. 11 different waveforms are made up of eight standard shapes comprising square, sine, triangle, half-sine, sinesaw and more as well as pink, white and tuned noise. The oscillators have been meticulously modelled from a range of vintage synthesizers to deliver an exacting tone that adds the signature flavour of hardware equipment to your mixes. Additionally, a drift function is included to simulate pitch drift on vintage equipment with the degradation of parts over time.
Plenty of modulation options are available with B.I.T, with Oscillator 1 syncable to Oscillator 2 as well as pulse, frequency and ring modulation. Both oscillators are also capable of self-modulation via the onboard feedback control, serving to add another layer of searing distortion to your tones.
Comprised of two identical filters with several different routing options, B.I.T lets you dial in the classic filter sounds of revered hardware synthesizers. The signature resonance, grit and character can be found in spades in B.I.T, letting you discover how the sounds of your favourite classic dance records were produced. Configurable in either Serial, Split Osc (parallel) or Split Noise, the signal path of your filters can be tailored to find the perfect sound for your mix. Not content with providing you with several routing options, Rob Papen B.I.T features several different types of filters, including two low-pass modes, high-pass, band-pass, notch and comb filtering. Each filter features a switchable cut-off slope from 12 to 24dB/Oct to alter the response and aggression of your tonal shaping. When used in combination with the Q (resonance) control, you can achieve a wide range of sounds from subtle tone shaping and removal of excessive lows or highs to extreme filtering with destructive qualities to sharpen the edge of your music.
Essential to the sound of vintage hardware synthesizers, B.I.T contains two LFOs to help create your tone. One LFO is dedicated to pitch, whilst the second can freely be assigned to the modulation matrix. With six waveforms to choose from, multiple modes, speed sync and phase controls, the freely assignable LFO onboard B.I.T is capable of anything from subtle thickening to full-blown oscillation.
Perhaps stepping slightly outside the realm of vintage analog equipment, B.I.T features a 16-step arpeggiator. With up to 13 different play modes, the onboard arpeggiator offers something for everyone. With a full four octave range and comprehensive control over a wide range of settings including velocity, tune, slide, swing and tie, you can create rhythmic synth tones to add movement and energy to your track. Found in many Rob Papen synths, B.I.T's arpeggiator also includes a Velocity/Key dial. This special control lets you tell B.I.T what source to listen to when creating each step, either the velocity level within the plug-in or the velocity of your manual keypress on your MIDI keyboard. A mix of both can of course be done by setting the dial to 50/50. Whilst this control may be a small part of a larger equation, it's ideal for letting B.I.T perform the arpeggiation based on the performance, letting you create more engaging, emotive pieces with dynamics and fluidity.
The onboard modulation matrix can also be assigned to the Free control over your arpeggiator, allowing for complex and evolving sequences in your productions. Ideal for live sound designers, modulating sources within your arpeggiator can lead to unexpected and unpredictable behaviour, keeping your audience engaged with your music for longer.
Offering the tools to carve your sonic signature, Rob Papen's B.I.T includes several effects to help transform monotonous and dry sounds to exciting and expansive soundscapes. A phaser and flanger share parameters as do delay and reverb, whilst the chorus is provided with its own set of controls. Whilst this may mean you cannot engage all five effects simultaneously, the depth of manipulation with each effect is more than enough to add an extra layer of texture to your sound design.
Although B.I.T is a virtually-modelled analog synthesizer, the addition of the modulation matrix offers flexibility even within the domain of the onboard effects. Modulating effects parameters on a delay, reverb or chorus can result in some extraterrestrial sounds that take your listener to another realm and could be the sound you're looking for in your cinematic film or TV score.
A staple amongst Rob Papen's virtual instruments and effects are immaculate presets, letting you explore the capability of your plug-in instantly. B.I.T is no different, comprising over 950 presets to discover the sound design potential, helping you to feel inspired to get creative as soon as your synth is booted up, every time. Helping you to find the right sound for your production, quickly, B.I.T employs an intuitive folder system, each containing up to 256 presets. Each folder offers a different parameter to search for a specific sound with, offering Type, Tempo/Feel and Timbre search options you will be able to quickly find a sound to audition in your project. Once you've found a sound that resonates with your tastes, simply save this to your Favourites folder and recall it in any future session you may need, helping to supercharge your workflow in the studio, saving time on scrolling through endless lists of presets and instead, capturing the lightning in a bottle moment in your sessions.
