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Once confirmation has been received that your payment has been successful from your chosen payment method provider, then we can process your order and send your email containing your unique code and instructions on how to download the software from the Supplier.
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14-day money back guarantee included if product is not activated
You can purchase from Gear4music with complete confidence and peace of mind. All of our digital products come with a 14-day money-back guarantee as standard.
If you decide you don't want your order, you can return it within 14 days of receiving it. Provided your product hasn't been activated in that time, you can exchange it for a different product, or get a refund.
We will only issue a new product or refund if the supplier confirms that your product has not been activated. At the same time, we will ask them to invalidate it so that it cannot be used in the future.
This does not affect your statutory rights.
For more information, please refer to our Returns and Refunds Information.
If you decide your order isn't suitable for any reason you can return it - just let us know within 30 days of receiving it. Please keep hold of all the original packaging until you're sure you want to keep the order.
Eligibility for Money Back Guarantee
Important: For hygiene and software licensing reasons, some items are only eligible for our Money Back Guarantee if they are returned to us unused and sealed in the original packaging with all software still "unregistered." Details of exclusions are shown within the product descriptions. Products include:
- Monitors and Headphones
- Earplugs and Ear Protection
- Reeds and mouthpieces for woodwind and brass instruments
- Mouth and Lip-Care Products
- CDs, DVDs and Software
We can collect your return for a small fee, or you can send it back to us yourself. The collection fee can be found in the returns information on each product's page on Gear4music.
In the unlikely event that any item in this order is faulty, damaged or incorrect on receipt, notify us within 14 days and we'll arrange a free collection.
When returning an order please ensure products are appropriately packaged and protected, to prevent them from getting damaged.
This table provides an overview of your statutory consumer rights, compared with our standard returns policy and optional extended money back guarantee and warranty.
| UK & Europe | EU Standard | Gear4music Standard | Gear4music Optional |
|---|---|---|---|
| Return Period | 14 days | 30 days | up to 180 days |
| Standard delivery charges refunded? | Yes | Yes | Yes, up to 30 days |
| Upgraded delivery charges refunded? | Standard costs only | Standard costs only | Standard costs only |
| Free collection on cancellation | No | No | Yes, up to 30 days |
| Free collection if defective, delivered damaged or incorrect item | Yes, within 14 days | Yes, within 14 days | Yes, within 30 days |
We are unable to accept returns of any custom made items designed to work together as a unique package and some items are only eligible for money back guarantee if they are returned to us unused and sealed in the original packaging. For full information on our returns policy, please refer to our returns and refunds information guide.
Key Features
The Sinevibes Dipole offers a comprehensive through-zero flanger effect packaged additionally with accessible experimental potentials and a simple colour-coded user interface. Bolster your mix with the movement, depth and character of both traditional and modern style flanger effects produced with high fidelity and ease of access.
Take direct control over sparkling spectral swooshes or signal warps and cancellations, or utilise Dipole's built-in multi-waveform generator for complex and provocative modulations.
Ensure that Dipole fits comfortably within your mix with variable phase offset, low-cut filter and feedback self-levelling to ensure stable operation under even the most extreme settings.
Product Ref: 234122
Dipole employs two delay lines with dual-mode feedback for a recognisable but capacious flanger effect developed to meet the demands of contemporary producers. Sinevibes offer high fidelity replication of traditional flanger style effects; running one delay variably earlier or later in relation to the other to simulate the effect of old-school manual flanger effects achieved with two parallel tape machines. Now, Sinevibes Dipole provides accessibility to kaleidoscopic flanging, chorus and nuanced stereo-widening effects, so that producers of any level of experience can develop complex and engaging flanger effects.
Sinevibes Dipole offers a complete and adaptable flanger engine featuring through-zero time capability and both positive and negative feedback. The through-zero capability of Dipole, owing to the movement of the delayed signal through the point of perfect time alignment with the input signal, produces an effect that is sonically much more dramatic than one-track flanging, and thanks to both positive and negative feedback the range of tonal potentials develop depth that is sure to entice the experimental itch of any producer. Due to the high level of adaptability, the comprehensive flanger engine within Dipole is sure to produce a sound that suits your mix whether you call for deep shifts and crashing waves, or gentle flanging for space and texture.
Sinevibes Dipole offers manual control of the precise location of the zero point to make certain that you can achieve a nuanced touch to your flanger effect. Alternatively, Dipole provides access to modulation through an extensive multi-waveform generator that modulates the time difference between the flanger engine's dual delay timelines. Featuring four different waveforms: Sine, Triangle, Trapezoid and Parabolic, Sinevibes have covered a range of great scope for complex modulation patterns, and with exhaustive parameters including frequency, rate, sync, depth and variable stereo phase offset between left and right channels there are plenty of experimental potentials for you to discover.
Dipole features a low-cut filter and feedback self-levelling to guarantee that your flanger is operating at a stable level despite the potential to reach extreme measures of powerful flanger effect. By adjusting feedback through self-levelling procedures you are free to focus on creating a sound that suits your mix, rather than tediously tweaking values to find a stable level, and furthermore, push your flanger effects to the limits without concern about overworking Dipole to breakdown.
